In the last few years, I’ve learned that playwriting is most productive when others join you in the process. On those occasions, huge benefits can result. New voices and perspectives come into effect. Cherished approaches get subtly challenged. Potential lines of new development come into view. Alternative perspectives surface. Perhaps most of all, there isContinue reading “My new play about Cicely Saunders: a pivotal moment”
Category Archives: Play writing and script development
Cicely and David: screenings in Belfast and Dublin during Palliative Care Week 2025
Twenty years ago, whilst working at Lancaster University I travelled regularly to Ireland. Supported by the Irish Hospice Foundation, I was a Visiting Professor at Trinity College Dublin and University College Dublin, charged with enabling and promoting academic and strategic development in the field of palliative care. Over a four year period I visited manyContinue reading “Cicely and David: screenings in Belfast and Dublin during Palliative Care Week 2025”
Cicely y David: my play in Spanish
At the end of a beautiful spring day in Pamplona, northern Spain, I am in a local theatre, waiting for the curtain to come up on Cicely and David, my play about the early origins of modern hospice and palliative care. A niche topic, certainly, but 250 people have come along to this Spanish premiereContinue reading “Cicely y David: my play in Spanish”
Five days at the Fringe: first performances of Cicely and David
Here’s my journal of 16-20th August 2022 at the Edinburgh festivals. The shows are back with ‘in person’ audiences and the place is buzzing. Meanwhile, I’m in a dual state of excitement and trepidation. The reason? 16th August will see the premiere of my first play: Cicely and David. It tells the story of aContinue reading “Five days at the Fringe: first performances of Cicely and David”
My play reaches the Edinburgh Fringe Festival
The year was 1947. David Tasma was just 40 years old. A Polish migrant who had fled his homeland weeks before the Nazis invaded, he’d spent the war years living on the margins of London life, eventually finding employment in a Kosher restaurant in the West End. When peace came he hoped for better things.Continue reading “My play reaches the Edinburgh Fringe Festival”
Play-writing as a shared endeavour
When I first set out to write a play, I envisaged it as the lone writing task, par excellence. I thought of someone like Henrik Ibsen, exiled and working alone with only his dramatic imagination to guide him. The prospect was uncongenial. I called my friend Jo Hockley, who had once produced a play at the Edinburgh Fringe,Continue reading “Play-writing as a shared endeavour “
Quotidian 